Crisancti Lucena Macazo, PhD is an amateur filmmaker and photographer, violinist, educator, vlogger, and an independent scholar. He obtained his Doctor of Philosophy in Music degree from the University of the Philippines, Diliman in 2020 with the dissertation titled, “Music and Image: The Soundtrack of Manuel Conde’s Extant Films, 1941–1958.” His dissertation’s central thesis is on the narrative capability of music in films. Among his works in filmmaking include, Buhayin! Ang Musika sa Talambuhay ng Tao (Let Live! Music in the Biography of a Person) where he did the art directing, editing and music scoring (written and directed by JS Buenconsejo, 2022). His latest project is the fine editing of both color and sound of the documentary film Si Tokan: Ang Manggagawa ng Kulintang ng Maguindanao Ilaya (Tokan, the Kulintang Maker of Upriver Maguindanao), directed by JS Buenconsejo, 2022. Dr Macazo also directed, edited, and scored a short film by Christine Marie Magpile, My Mother’s a Frontliner (2021).
Rajji Marren I. Lunas is an Associate degree holder in Computer Technology from the Technological Institute of the Philippines, Cubao. He has done camera work for the short film Buhayin! Ang Musika sa Talambuhay ng Tao (2021) and Si Tokan: Ang Manggagawa ng Kulintang sa Maguindanao Ilaya (2022).
Everyone is invited to the initial screening of the above-captioned on Thursday, 11 August 2022, 2PM, Abelardo Hall Auditorium, University of the Philippines College of Music
This is a story of a remarkable traditional Maguindanaon musician nicknamed Tokan who plays for village celebrations and who also makes kulintangan instruments which are currently in demand locally and internationally. Rather than seen from an individualist lens, the documentary interprets Tokan’s life as wholly socialized, centered on group interactions, especially with his kindred. His work continues the music of Tangguapo which kulintang music was first documented by the National Artist in music Dr. Jose Maceda in 1954. The military encounters with Moslem separatists, settler paramilitary group Ilaga in late 1960s were the context of the continual displacements of the villagers to safe places theareafter, especially with military operations against insurgency in 1972. This displaced the culture bearers of the place, once the center of gong and lute music of the region. In 2015, a family returned to the sitio to bring back their lives to the land they were born into. But ironically for Tokan, it was his travels away from home, away from wars, that made his gongs move to faraway places.
The documentary is Volume 1 of 4 in the Music Cultural Flows Series.
The film is mostly in Filipino and English with some Maguindanao. Duration: around 80 minutes. Color.