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– – -. 2018. “Session musicians and the golden age of Philippine popular music, 1973-1987.” Master of Music thesis, University of the Philippines.
Chua, Maria Alexandra, Iñigo. 2017. “Composing the Filipino Music Transculturation and Hybridity in Nineteenth Century Urban Colonial Manila (1858-1898),” PhD in music dissertation, University of the Philippines.
Costes-Onishi, Pamela. 2010. “Kulintang Stateside: Issues on Authenticity of Transformed Musical Traditions Contextualized Within the Global/Local Traffic.” Humanities Diliman7 (1): 111-139.
Cunningham, Roger D. 2007. “’The Loving Touch’: Walter H. Loving’s Five Decades of Military Music.” Army History 64: 5-25.
Dadap, Michael. 2007. The Virtuoso Bandurria.Dumaguete City, Philippines: Unitown Publishing House.
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Ellorin, Bernard B. 2008. “Variants of Kulintangan Performance as a Major Influence of Musical Identity.” Master of Arts thesis, University of Hawaii at Manoa.
– – -. 2015. “Trans-cultural Commodities: The Sama-Bajau Music Industries and Identities of Maritime Southeast Asia.” PhD dissertation, University of Hawaii at Manoa.
Gabrillo, James. 2018. “Rak en Rol: The Influence of Psychedelic Culture in Philippine Music.”Rock Music Studies, special issue on Global Psychedelia and Counterculture, edited by Kevin Moist, 5 (3): 257-274.
– – -. 2018. “The Sound and Spectacle of Philippine Presidential Elections, 953-1998.” Musical Quarterly, 100/3-4 (Jul 2018), 297-339.
– – -. 2018. “The New Manila Sound: Music and Mass Culture, 1990s and Beyond”, PhD dissertation, University of Cambridge.
Gaerlan, Barbara S. 1999. “In the Court of the Sultan: Orientalism, Nationalism, and Modernity in Philippine and Filipino American Dance.” Journal of Asian American Studies2 (3): 251-287.
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– – – . 2010. The Day the Dancers Stayed: Performing in the Filipino/American Diaspora. Philadelphia: Temple University Press.
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—. 2016. “Sounding the Spirit.” Sabangan2, 37-50.
—-. 2019. “The Divine Sound: Acoustemology of Faith in a Religious Community.” PhD ethnomusicology dissertation, Philippine Women’s University.
—. 2019. “The Entanglement of Space and Sound in Tboli Music Instruments.” Studia Instrumentorum Musicae Popularis VI (New Series),145-154.
—. 2020. “Memories of Sounds: An Archiving Project in Two Aural Communities.” Asian European Music Research Journal5(Summer), 1-8.
Labrador, Roderick N. 2002. “Performing Identity: The Public Presentation of Culture and Ethnicity among Filipinos in Hawai’i.” Journal for Cultural Research6 (3): 287-307.
Macazo, Crisancti L. 2019. “Music and Image the Soundtrack of Manuel Conde’s Extant Films, 1941-1958.” Phd in music dissertation, University of the Philippines.
Mangaoang, Aine. 2013. “Dancing to Distraction: Mediating ‘Docile Bodies’in Philippine Thriller Video.” Torture23 (2): 44-54.
– – -. 2015. “Performing the Post Colonial: Philippine Prison Spectacles After Web 2.0.” Post Colonial Text9 (4).
– – -. 2019. Dangerous Mediations: Pop Music in a Philippine Prison Video. New Approaches to Sound, Music, and Media. New York: Bloomsbury Publishing.
Matherne, Neal. 2013. “Bayan Nila: Pilipino Culture Nights and Student Performance at Home in Southern California.”Asian Studies: Journal of Critical Perspective on Asia49 (1): 105-127.
Mendoza, Lara Katrina T. 2020. “Pag-aambag sa Eksena at Kultura (Making a Contribution to the Scene and Culture): The Meaning of Contemporary Hip-Hop Performance Among Youths in Manila, Philippines,” PhD in music dissertation, University of the Philippines.
Miranda, Isidora. 2020. “Dissonant Voices: Tagalog Zarzuela and the Politics of Representation in the Philippines, 1902 to 1942,” PhD dissertation, University of Wisconsin.
Montano, Lilymae. 2013. “Claming Social Justice in a Cordillera Community in the Philippines: The Ifugao Himong Revenge Dance.” In Proceedings of the 2nd Symposium of the ICTM Study Group on the Performing Arts of Southeast Asia, Manila, 2012, 130-133. Manila: Philippine Women’s University.
—. 2016. “From Village Ritual to Banaue Imbayah Festival: The Case of the Ifugao Himong Revenge Dance.” Sabangan2, 89-113.
Moon, Krystyn R. 2010. “The Quest for Music’s Origin at the St. Louis World’s Fair: Frances Densmore and the Racialization of Music.” American Music 28 (2): 191-210.
Muyco, Maria Christine M. 2017. Music of the ATA/ATI of Boracay in their Struggle for Land and Celebration of Life. University of the Philippines- Office of the Vice Chancellor for Research and Development. Audio CD.
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– – -. 2019. “Hearing Ginhawa In-and-Out and Across Cultures”. In Danyag. Philippine Journal of Social Sciences and Humanities, issue no. 2, volume 22. OVCRE, UP Visayas
– – -. 2019. “Mumunting Tinig, New Works for Children’s Choral Pieces. (Entries: “I-angat ang Araw”; “Muklat”; Bigkas-Titik”; “Tumindig”; “Hakbang sa Dulo”; “Kapilas ng Buhay”; “Ako at ang Kalikasan”; “Pagbagkas-Bigkas”; “Kurubingbing Kurubawbaw”). The National Commission for Culture and the Arts. Audio CD.
– – -. 2019. “Ginggala: The Tai Yai’s Divine Gift Through Music and Dance” (with co-author: Khanithep Pitupumnak, Phd, Chiangmai University, Thailand). Perspectives in the Arts and Humanities in Asia, 1 (9).
National Commission for Culture and the Arts. Sagisag Kultura. Volume1, 2, 3. (Music/Dance), edited by Raul C Navarro. Manila: National Commission for Culture and the Arts.
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– – -. 2004 “Musika sa Pampublikong Paaralan sa Pilipinas, 1901-1930” Daluyan: Journal ng Wikang Filipino, Vol. II. Quezon City: Sentro ng Wikang Filipino, UP Diliman. pp. 163-175.
– – -. 2008. “Ang Bagong Lipunan, 1972-1986: Isang Panimulang Pag-aaral sa Musika at Lipunan” Humanities Diliman,5 (1,2): 47-77.
– – -. 2016. Musika sa Kasaysayan ng Filipinas: Pana-panahong Diskurso. Quezon City: University of the Philippines Press.
– – -. 2017. “Apat na Taong Pagsikat ng Nakapapasong Araw: Musika sa Filipinas sa Panahon ng Hapon, 1942-1945.” Plaridel: A Philippine Journal of Communication, Media, and Society, 14 (2): 1-24.
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– – -. 2009. “Gendering the Philippine Brass Band: Women of the Ligaya Band and National University Band, 1920s-1930s.” Musika Jornal5: 33-56.
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– – -. 2007. “Evolving Filipino Music and Culture in the Life and Works of Don Lorenzo Ilustre of Ibaan, Batangas.” Master of Music thesis, University of the Philippines.
– – -. 2008. “A Review of Lawak Rondalya: Commemorative CD Album of Cuerdas nin Kagabsan,” Musika Jornal4: 216-218.
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UP College of Music. 2017. Saysay Himig: An Anthology of Transcultural Filipino Music (1880-1941), selected and annotated by Arwin Tan. Three-CD set.
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Selectively compiled by José S. Buenconsejo, PhD
with the assistance of Josephine Baradas, URA of UP College of Music